Kamal will discuss shot by shot, scene by scene this film over 2 weekends (4days)! Kamal’s reading of Lynch’s best one – is unmissable. Kamal Swaroop himself is a legendary filmmaker from India known for his surrealist explorations, ‘unassumingly bold, preposterously original and tending to cut against the grain almost by design’. He is interested in ‘transference’ as in psychoanalysis. Kamal Swaroop has chosen to deconstruct this unyielding world of darkness and confusion for many reasons, primarily for the trapping of the dream and the unconscious in a convention of the cinematic language. Perhaps it is just that, perhaps it is anything but that… Cinephilia and Beyond describes the film as mysterious hybrid of genres, a tale of love and revenge of bizarre, seemingly incomprehensible structure, a terrific-and terrifying-film that stubbornly resists being called a horror film, even though it’s as dreadful and unsettling as anything recorded on the celluloid so far. He simply calls it “A love story in the city of dreams”. One of the greatest masters of uncanny, David Lynch has consistently declined any explanations to the film whatsoever. Lynch’s Mulholland Drive is this noir-narcotic loop of heartbreak in the “dream place” of Hollywood, one can easily see its reflection in Bollywood. “This dangerous section of Mulholland Drive in the Hollywood Hills has been nicknamed “The Snake” for its many sharp hairpin twists and turns….” On Mulholland Drive you’ll find at 6342 the home of Madonna, 12721 John Lennon, 12850 Jack Nicolson & Roman Polanski, 15147 Faye Dunaway, 13511 Demi Moore and Bruce Willis, and a 12671 Warren Beatty, 12900 Marlon Brando, where his son, Christian Brando, shot and killed his half-sister’s lover, Dag Drollet…
#12900 mulholland drive series
TRANSITION TRANSFERENCE TRANSFORMATION: UNDERSTANDING FILM SHOT BY SHOTĪnnouncing 2 nd of the Series – with KAMAL SWAROOP.
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